Seán Ó Dálaigh’s ‘Shimmering, Insistent’ for solo cello, performed as part of Distractfold workshops at Stanford University, 2023:

Joanna Bailie’s ‘Trains’ for solo cello and tape. From ‘Artificial Environments’, NMC, 2019:

A bedroom recording of a Corsican folksong, ‘O Onda’. London, 2020:

Track from my collaboration with Chris Roe on his score for BAFTA award-winning film ‘After Love’, 2020:

…and a track from my collaboration with Chris Roe on his score for ‘Trigger Point’, ITV1, 2022:

Performing cello and backing vocals for Jamie Cullum’s ‘In The Bleak Midwinter’ recorded at Abbey Road Studio 2 in 2020:

Sam Salem’s ‘THIS IS FINE’, which uses my cello, voice and an AI trained on my recordings. From ‘The New Unusual’, dfolds, 2021:

An article including an interview with me about the ‘THIS IS FINE’, by Sam, HERE…

…and a discussion with Sam Salem about ‘THIS IS FINE’ for Matthew Shlomowitz and Håkon Stene’s ‘Soundmaking’ podcast, 2021:

Ute Wasserman’s ‘Go Between’, for my voice, cello and an imagined field recording. From ‘The New Unusual’, dfolds, 2021:

Last movement of Percy Hilder Miles’ Piano Trio in B minor, performed by Ensemble Kopernikus as part of a portrait recording, MPR, 2022:

Distractfold perform Mauricio Pauly’s ‘Charred Edifice Shining’ as part of Kammerklang, Cafe Oto, 2016:

Plus Minus performing Newton Armstrong’s ‘thread-surface’ at Kammerklang, Cafe Oto, 2017:

Liza Lim’s ‘Invisibility’ for cello and two bows. Performed at Kalv Festival, Sweden, as part of a Distractfold residency, 2018:

World premiere of Anna Korsun’s ‘sottilissime’ with Distractfold Ensemble at Bludenzer Tage Zeitgemasser Musik, 2019: